Archive for the ‘wordiness’ Category

more food for thought

Wednesday, August 19th, 2009

[preface: obivously, this blog is going to be about more than music, I guess, since I don't really have a better place to write about this and I really don't want to create another blog. ]

Last week after much procrastination, the wife and I finally saw Food, Inc, which directly assaulted something I’d been fairly ambivalent about for over a decade now.

Let me set something straight: I love eating meat. I love steak, hamburgers, fried chicken, bacon, pepperoni, you name it. In particular I love roast beef po-boys, Cuban sandwiches, Reubens and above all, North Carolina-style pulled pork. For this latter my passion was extreme: with my old band Shinola we went on several day tours, during one of these Barbequests™ in eastern Carolina we ate at five Q shacks in one day — and created the first N.C. BBQ resource ever on the web back in 1996. In the past few years I’ve had great times smoking pork shoulders in homemade smokers (a la Alton Brown) and homemade hot vinegar sauce made from peppers grown in my backyard.

But before that, as a late teenager and in college I was a vegetarian… not primarily for health reasons, but for all the reasons this film brought back to me. When I started eating meat again it was the result of going through some especially dark times that brought on a nihilistic phase, and while my family was probably relieved that I was eating like a normal American again, I felt like I had sold out somewhat.

And now, the food industry is more consolidated, more streamlined, more disgusting, more dangerous, and more cruel than ever. I don’t want to say too much more, other than you owe it to yourself to see this movie. (You might have to wait for it to come out on DVD at this point, depending where you live.)

It hasn’t made me commit to be a full-on vegetarian again, but it’s made me change my habits about where I buy my food, and not just meat either.

I’ve been researching places to buy meat that comes from cruelty free farms (preferably local), both for home cooking and restaurants. New Orleans, where I live, is a culinary Mecca, but not particularly green. I’m hoping that some of my favorite places to eat are thinking about getting on the bandwagon, if they haven’t already.

Otherwise, sad to say, no barbecue for me.

You say tomato, I say Con-agra: a true tale of farmers’ market scam.

Thursday, July 2nd, 2009

I was just at one of the local New Orleans farmers’ markets, to be specific the Mid-City Green Market that’s every Thursday in Mid-City. I’m trying to buy local more often, and support small farmers… those that have survived anyway after the assaults of agri-business and large supermarkets.

I was a little early and everyone was still setting up their tents and putting out their crates, baskets and baked goods in the brutal heat.

Having just come back from Western North Carolina, where I consumed some delicious peaches from the farmer’s market there, I went to the peach stand first and bought some peaches. The lady told me they were from Alabama, which seemed reasonable enough. I remember getting peaches from her before, and she telling me they drove in from Alabama.

Next I went to look for tomatoes, and there was a couple of guys—looked like a father and son team—putting out a remarkable assortment of vegetables. Tomatoes, corn, squash, cucumbers, peppers—a variety of vegetables that all looked beautiful, where most other vendors usually just had one or two varieties of produce. I had been under the impression from these markets in the past that either not too much grew in Louisiana, or that it was difficult to produce many varieties for small farmers, but these guys looked to have diversity and quantity, and from a superficial glance, quality. Maybe they had some really magic soil on their farm?

They asked what I needed and I said tomatoes, so they pulled some crates out and started filling the table.

“Where are these from?” I asked. “They grown in Louisiana?”

Folsom,” the older guy replied.

“Good. I’ll take a handful.”

“Get him a bag,” the older guy said to the kid, who looked to be about fourteen.

The kid pulled out a plastic grocery store bag, and I started looking at the tomatoes. They all looked good, but something was amiss. None of them looked bad, and none of them looked great. It was like looking at produce at the grocery store, and I started to wonder if these were hothouse tomatoes. The best tomatoes I’d had usually were less evenly colored, even less red in parts. I was about to ask, wondering if they had their own private hothouse on the farm, when my question was answered by a tomato.

Or rather a sticker on the tomato.

“Vine Grown in Arkansas” it read, complete with a supermarket PLU code.

It took me about 5 seconds to calculate the (un)likelihood that a supermarket sticker accidentally stuck itself to a farm-grown tomato, or that a tomato from a passing grocery store truck had bounced out on the highway and into their pick-up.

The kid came back over to see if I had made my selection.

“This one says it was grown in Arkansas,” I mentioned.

The kid snatched the tomato from me and looked at it, then quickly turned around and peeled off the sticker with his back to me as if I couldn’t see him and put it back in the crates. He then turned back towards me as if nothing had happened and his removing the evidence had returned the tomato to its farm-grown local status. Heck, it might have even been organic at that point!

He then nonchalantly (sort of) turned over a few more tomatoes to make sure the whole batch wasn’t spoiled then casually sauntered over to the older guy, who was unloading more crates at the truck. He looked back and I pretended to be still selecting tomatoes, then I looked up and I saw him whispering briefly to the older guy.

“Goddamn son of a bitch!” the older guy exclaimed under his breath but probably not at all as quietly as he wanted to. I suspect it was the kid’s job, or maybe his brother or sister’s, to remove the stickers after the dad bought them at Sam’s Club, and that the dad had told them repeatedly how important it was to remove all the stickers.

The whole thing, especially their reaction to my finding the sticker, was like a couple of small time crooks that got busted for heisting the March of Dimes jar, and I don’t want to make too much of it, but at the same time, I do want to support local farmers and the local economy, and if I can’t do this at the farmers’ market, then Wal-mart has already won.

In retrospect, I should have taken a photo with my iPhone, but I was too flabbergasted to think. There’s a part of me that thinks, maybe these guys are hard on their luck in this economy and they are just doing what it takes to get by. But at the same time, one of the main reasons we’re in this situation is people have put all their eggs in one basket (so to speak), and in the food world, we can break the cycle by buying local and breaking the chain with global food conglomorates who will ship you blueberries from Chile when they are growing in your neighbor’s yard, consuming more oil in transportation, working against diversification, encouraging large-scale use of pesticides, and many other reasons. I’ve seen the trailer for Food, Inc. and it looks like it will blow a lot of minds…

Radical Movement for Rebetiko Dechiotification and Bouzouki Detetrachordization

Friday, May 8th, 2009

http://www.rebetiko.org

rickenbacker suicide

Monday, May 4th, 2009

Of course guitars can’t really do themselves in, but it looked like my late 80’s Rickenbacker 330 12-string had done just that when i opened the case on Friday to find this:

broken rickenbacker

After getting over the initial shock, i realized that it was the “R” tailpiece that had broken, presumably during a hurricane evacuation or just being in storage in hot weather. But this guitar had been halfway around the world with me since around 1991, and I had never had this happen before.

Rickenbacker will replace the “R” provided that I send them the old one and buy the replacement as well. It’s a pretty old guitar, so I suppose that’s reasonable, but the replacement part is $100 which is not cheap.

No real answers as to why it happened either, but looking on the Rickenbacker boards it seems that there was some problem with the models of this era and hopefully fixed now. The extra tension on the 12-strings (versus a 6-string) is obviously a factor, as it doesn’t happen on 6-strings. And when the person at Ric customer service asked me about what kind of strings I had on it — I had Pyramids — he seemed to believe that these strings had a higher tension rating which may have contributed to the crack.

I’ve had this guitar for nearly 20 years and only ever had one issue with it — when a piece of later-discovered cat fur was blocking the jack preventing me from playing “Fearless” at a Halloween show where we performed as 1972 Pink Floyd — and excepting some screws that went rusty, have not had any reason to question the quality of their manufacturing process. It’s been a great guitar, and hopefully will be again soon, but I am really going to have to consider using different strings, or storing it differently, or something. Hopefully the replacement tailpiece will be of stronger stuff!

update?

Tuesday, April 28th, 2009

in case you’re wondering why there haven’t been any updates recently, i’ve been busy with a variety of different things: rehearsing for a chef menteur live show, finalizing mixes and getting CDs together for the alternative music expo, updating the BPR site with new functionality and new music, overdubs and mixing on the new chef menteur album (still in progress), and now also preparing for an archipelago show. archipelago is opening for sir richard bishop (sun city girls) at the zeitgeist on june 6th. his solo album polytheistic fragments is recently one of my favorite acoustic guitar albums of all time, even though my favorite track on the disc, “saraswati” is a piano track.

i hope to get back into the groove soon, though; for example, i sampled just about every note on my mom’s old harmony banjo and i’ve got a nifty little thing going with that and the monome that i need to make a proper song out of.

blog:rename

Monday, January 12th, 2009

Renamed the blog to something more appropriate: aleatoric, which despite being a little hard to spell seems to pretty well encompass my fascination with semi-random systems of patterns of music; not unlike improvisations upon a theme; arpeggios, rags, ragas, drift studies, and so forth; not to mention works like “In C” which you will hear more about very shortly.

hello, world?

Wednesday, January 7th, 2009

It’s the first week of 2009 and I am officially taking up my good friend (and collaborator) Dan’s personal challenge to create a weekly musician’s blog: a place to post a new work each and every week. Putting aside the “it’s been done before” aspect, I am going to be up-front about the fact I am doing this to challenge myself to be more productive in materializing my musical ideas, and the illusion of accountability and the desire to not look a fool (we’ll see) will propel me to contribute regularly.

My hope is that having this place to put musical ideas that are still untested, perhaps not a good fit for any of my group projects, or just solo-type experiments that I want to indulge in, will remove some of the impediments I think I have to being as prolific as I would like to be. Having always been a part of some group up till now, it’s easy to use the group as an excuse to not finish something: it’s not a group piece, it’s not right for this situation, we’ve already got too much material at the moment, etc. Maybe some of these will develop beyond their life on these pages and into other projects? We’ll see.

I’m still hesitant about this blog thing. I don’t understand people that post every detail of their life online, but whatever floats their boat I guess. I’ve been online now for longer than the web has been around and yet up till now I have resisted the personal blog thing for many reasons but if it can get me to make music more, then I’m willing to give it a go.

It’s not that I am against blogs, but with a zillion of them out there, I am not conceited enough to think I have much original to add to the global conversation; or that anyone would want to wade through paragraphs of my meandering, verbose style (see what I mean?) in order to reach a pithy point here and there, or obtain some useful information or gossip. 

Perhaps my fear of blogging is just fear of writing, though.

Way back when, I used to think that I could make some kind of life (if not living) writing words creatively—and I don’t mean advertising—before I realized that a life too self-examined may drive a person to madness. Or perhaps it was studying English lit. with the specialization in critical theory and postmodernism in the politically correct 90’s that helped transform my love for the written word into a kind of paranoia. It’s impossible to come out of that experience and write with your original voice: every sentence you write conjures up a hundred ghostly critics that can take apart your artistry with a myriad of post-feminist/marxist/freudian techniques, and of course even if you know you are the only one who will read those words you will still not be able to silence the descendants of Derrida from dissecting your prose (overuse of alliteration: -3 points).

So, mostly this blog will be about music. 

I think.

Music is, after all, something in which one can engage both sides of the brain: the mathematical/pattern side and the creative side. It’s somewhat like writing, but with no formal theory or critical studies, I can be less self-conscious and more intuitive with it than I can with writing. Unsurprisingly, generally in music I shy away from words altogether, preferring the abstract textures and harmonies that music can evoke in the imagination. I ended up going into multimedia/software design instead of some kind of writing career, and there’s a parallel between putting together music and software design that’s more appealing to me than mining my own thoughts, so without further ado, I have a song to finish!

For your amusement, I am calling this blog “rebel dalek” because “dalek” is a homophone of my first initial and nickname, and “rebel”, because I fancy myself a noncomformist who is suspicious of borglike space empires, and a humanist who does not want to exterminate anyone. Also, robot-themed blogs get more hits, especially cutesy, non-evil robots. Daleks being neither cutesy or non-evil, I may need to rethink this. Oh, also I plan to have a cover of the BBC Radiophonic Workshop’s original theme from Dr. Who (complete with theremin) in here at some point, as I have not yet been able to convince any of my bandmates to do it.

Note to self: spruce up this wordpress theme with something more appropriate as time permits!