circuitbending tutorial

October 20th, 2009 by aleatoric

thanks to experimental electronics group IGE*timer and maggie at mckeown’s books and difficult music a handful of new orleanians were able to get a crash course in circuit bending at loyola’s school of music’s electronics lab.

for those wanting to take this further, i just ran across some good resources at casper electronics for circuit benders.

dronelab v2

i am also intrigued by their Drone Lab V2, which is a souped-up version of dan’s homebrew cigar-box oscillator box, aka the “ass tone.”

SoundHack freeware plugins (thx to @proswell for the tip)

October 15th, 2009 by aleatoric

SoundHack is the venerable music processing platform; it’s been around as long as I’ve known you could make music on Macs. I had no idea it even still existed. The site is worth looking at, plus there’s some cool free delay plugins and the like. Thanks to proswell for the tip.

l’ancien régime

September 8th, 2009 by aleatoric

I’ve been pruning my digital music collection in preparation of moving hard drives, and coming across lots of old Chef Menteur mp3s that we had intended to do something with, or were otherwise interesting, but never saw the light of day for one reason or another. Some are unfinished tracks, some are live versions of tracks, and some are finished but just didn’t make it on a CD for one reason or another. At one point we thought there might be a reason to go back and release some of these on some kind of official compilation, but since we have two full albums of new material we’re still working on, it’s not likely going to happen, so I think it’s time to set these free to the world. I am going to upload them as I come across them on the Chef Menteur blog here:

chefmenteur.org

“Live Coding”

August 29th, 2009 by aleatoric

Not just using laptops, but coding in a live performance? See this story on BBC News’ web site.

No mentions of what languages are being used, but screen shots seem to suggest Max/MSP and either CSound or ChucK.

more food for thought

August 19th, 2009 by aleatoric

[preface: obivously, this blog is going to be about more than music, I guess, since I don't really have a better place to write about this and I really don't want to create another blog. ]

Last week after much procrastination, the wife and I finally saw Food, Inc, which directly assaulted something I’d been fairly ambivalent about for over a decade now.

Let me set something straight: I love eating meat. I love steak, hamburgers, fried chicken, bacon, pepperoni, you name it. In particular I love roast beef po-boys, Cuban sandwiches, Reubens and above all, North Carolina-style pulled pork. For this latter my passion was extreme: with my old band Shinola we went on several day tours, during one of these Barbequests™ in eastern Carolina we ate at five Q shacks in one day — and created the first N.C. BBQ resource ever on the web back in 1996. In the past few years I’ve had great times smoking pork shoulders in homemade smokers (a la Alton Brown) and homemade hot vinegar sauce made from peppers grown in my backyard.

But before that, as a late teenager and in college I was a vegetarian… not primarily for health reasons, but for all the reasons this film brought back to me. When I started eating meat again it was the result of going through some especially dark times that brought on a nihilistic phase, and while my family was probably relieved that I was eating like a normal American again, I felt like I had sold out somewhat.

And now, the food industry is more consolidated, more streamlined, more disgusting, more dangerous, and more cruel than ever. I don’t want to say too much more, other than you owe it to yourself to see this movie. (You might have to wait for it to come out on DVD at this point, depending where you live.)

It hasn’t made me commit to be a full-on vegetarian again, but it’s made me change my habits about where I buy my food, and not just meat either.

I’ve been researching places to buy meat that comes from cruelty free farms (preferably local), both for home cooking and restaurants. New Orleans, where I live, is a culinary Mecca, but not particularly green. I’m hoping that some of my favorite places to eat are thinking about getting on the bandwagon, if they haven’t already.

Otherwise, sad to say, no barbecue for me.

Analog Sound Patterns

August 7th, 2009 by aleatoric

I was looking at the site logs for Backporch Revolution and noticed that a lot more hits were coming in from YouTube. It seems that people have recently been taking an interest in my good friend Bryan Killingsworth’s “Sound Patterns” series. This got me looking at them again, and remembering how cool this experiment was.

Using a laser pointer, plastic wrap, and a metal bowl for the visuals, Bryan cranked up his modular analog synthesizer and made some trippy visual patterns that co-relate nicely to the sine waves he’s tuning.

For information on how this was done take a look. The links to the YouTube videos are at the bottom of the page.

Sublime Frequencies

July 24th, 2009 by aleatoric
Group Doueh: Treeg Salaam LP SF048

Group Doueh: Treeg Salaam LP SF048

I found out recently that the obscure world music label Sublime Frequencies (both the music and the label are somewhat obscure, but not nearly as obscure as say Backporch Revolution), founded by the guys from the Sun City Girls had a way for me to easily rectify my almost complete lack of possessing the ability to listen to any part of their catalog on demand.

You can get the entire SF catalog through SF 039 here. It’s just a data DVD, so I am sure there’s lots of awesome pictures, art and liner notes that you’ll miss, but almost all of these CDs and LPs are out of print, so for someone like me, this was about the only way to get them.

Included is the relatively well-known (among world music fans) album by Omar Souleyman, Highway to Hassake: Folk and Pop Sounds of Syria. But there is also lots of really great cassette tape field recordings from deep in the jungles of Southeast Asia, radio broadcasts of unknown pop songs and chatter from Africa and the Middle East, religious and tribal music from some forgotten provinces of Asian highlands, and way too much more to even begin to comprehend.

I’ve been playing the collection in iTunes on shuffle for a few days now, and I still haven’t gotten sick of it.

Open Sound New Orleans

July 16th, 2009 by aleatoric

I thought I had posted this link to the blog before, but it appears that I have not. Apparently, it was featured earlier this week on NPR.

http://www.opensoundneworleans.com

My contributions are under “countrymarxist”, presently “Brian hunting for frogs” and “Mid City Ice Cream Truck near Cleveland St & Clark St”

You say tomato, I say Con-agra: a true tale of farmers’ market scam.

July 2nd, 2009 by aleatoric

I was just at one of the local New Orleans farmers’ markets, to be specific the Mid-City Green Market that’s every Thursday in Mid-City. I’m trying to buy local more often, and support small farmers… those that have survived anyway after the assaults of agri-business and large supermarkets.

I was a little early and everyone was still setting up their tents and putting out their crates, baskets and baked goods in the brutal heat.

Having just come back from Western North Carolina, where I consumed some delicious peaches from the farmer’s market there, I went to the peach stand first and bought some peaches. The lady told me they were from Alabama, which seemed reasonable enough. I remember getting peaches from her before, and she telling me they drove in from Alabama.

Next I went to look for tomatoes, and there was a couple of guys—looked like a father and son team—putting out a remarkable assortment of vegetables. Tomatoes, corn, squash, cucumbers, peppers—a variety of vegetables that all looked beautiful, where most other vendors usually just had one or two varieties of produce. I had been under the impression from these markets in the past that either not too much grew in Louisiana, or that it was difficult to produce many varieties for small farmers, but these guys looked to have diversity and quantity, and from a superficial glance, quality. Maybe they had some really magic soil on their farm?

They asked what I needed and I said tomatoes, so they pulled some crates out and started filling the table.

“Where are these from?” I asked. “They grown in Louisiana?”

Folsom,” the older guy replied.

“Good. I’ll take a handful.”

“Get him a bag,” the older guy said to the kid, who looked to be about fourteen.

The kid pulled out a plastic grocery store bag, and I started looking at the tomatoes. They all looked good, but something was amiss. None of them looked bad, and none of them looked great. It was like looking at produce at the grocery store, and I started to wonder if these were hothouse tomatoes. The best tomatoes I’d had usually were less evenly colored, even less red in parts. I was about to ask, wondering if they had their own private hothouse on the farm, when my question was answered by a tomato.

Or rather a sticker on the tomato.

“Vine Grown in Arkansas” it read, complete with a supermarket PLU code.

It took me about 5 seconds to calculate the (un)likelihood that a supermarket sticker accidentally stuck itself to a farm-grown tomato, or that a tomato from a passing grocery store truck had bounced out on the highway and into their pick-up.

The kid came back over to see if I had made my selection.

“This one says it was grown in Arkansas,” I mentioned.

The kid snatched the tomato from me and looked at it, then quickly turned around and peeled off the sticker with his back to me as if I couldn’t see him and put it back in the crates. He then turned back towards me as if nothing had happened and his removing the evidence had returned the tomato to its farm-grown local status. Heck, it might have even been organic at that point!

He then nonchalantly (sort of) turned over a few more tomatoes to make sure the whole batch wasn’t spoiled then casually sauntered over to the older guy, who was unloading more crates at the truck. He looked back and I pretended to be still selecting tomatoes, then I looked up and I saw him whispering briefly to the older guy.

“Goddamn son of a bitch!” the older guy exclaimed under his breath but probably not at all as quietly as he wanted to. I suspect it was the kid’s job, or maybe his brother or sister’s, to remove the stickers after the dad bought them at Sam’s Club, and that the dad had told them repeatedly how important it was to remove all the stickers.

The whole thing, especially their reaction to my finding the sticker, was like a couple of small time crooks that got busted for heisting the March of Dimes jar, and I don’t want to make too much of it, but at the same time, I do want to support local farmers and the local economy, and if I can’t do this at the farmers’ market, then Wal-mart has already won.

In retrospect, I should have taken a photo with my iPhone, but I was too flabbergasted to think. There’s a part of me that thinks, maybe these guys are hard on their luck in this economy and they are just doing what it takes to get by. But at the same time, one of the main reasons we’re in this situation is people have put all their eggs in one basket (so to speak), and in the food world, we can break the cycle by buying local and breaking the chain with global food conglomorates who will ship you blueberries from Chile when they are growing in your neighbor’s yard, consuming more oil in transportation, working against diversification, encouraging large-scale use of pesticides, and many other reasons. I’ve seen the trailer for Food, Inc. and it looks like it will blow a lot of minds…

New Orleans Ice Cream Truck songs: Mid-City

June 5th, 2009 by aleatoric

OK, here’s the song from the Mid-City Ice Cream Truck that’s been driving us bonkers.

Name that tune! (please!)

midcity-ice-cream-truck-song